Most of the comments about the film Les Miserables remark that the film is too naturalistic and ‘in your face’. A well known musical theatre performer commented that it was all rather emotional and that she would have liked it if the voices has been ‘tweaked’ a little bit in the studio after recording to make them more presentable/easy on the ear on film. Interesting. The film’s power in its use of non-edited singing: the actors are in the moment. Eddie Redmayne who plays Marius says the joy of this is that actors don’t therefore have to make their acting decisions 3 months before their character is in role.
I would also say how stange it is to talk about tweaking emotions. Do we ‘tweak’ emotions in every day life? No! If we’re about to cry we don’t say ‘now hang on a moment, let me make sure I don’t upset other people and I’ll just adjust my tears.’ What is the problem with being real? Nothing! If we are embarrassed or somehow disgusted by the rawness of this film then we’re disgusted by the reality of the human condition and even history itself. The historical facts of the French revolution are gritty and violent like any other battle. The human stories of Valjean, Fantine and all the people in the street scenes are realistic – there were such people who had lives of utter misery – some of them managed to create a better world for themselves (Valjean – though only because the Bishop gave him a second chance and Valjean acted on it), but others, due to the repression of the system and the unforgiveness of others, had no chance to move away from their wretched lives.
The only voice that is not raw and not broken is Russell Crowe’s – which suits his character, Javert. Javert becomes obsessed with hunting down Valjean purely because he is the law and there is no bending – ‘the law is not mocked’. He cannot see that Valjean does not fit into his category of right and wrong. His uncompromising nature is reflected in his smooth vocals. Any doubt Javert has (and he does doubt) is seen in his face rather than heard in his vocals.
I would therefore conclude that the naturalism of this Les Mis film works and is justified – it takes courage to face the truth because once you face it you have to engage with the world and your place in it. Once you do that – as Valjean and Fantine do, they find that their engagement with the world costs. Facing the truth is a rough ride and the events that happen to them are life changing…what would be the purpose of ‘tweaking’ their emotional response? Nothing, other than making it look like their characters are pretending and let’s face it, life is not a rehearsal and we can’t pretend our way through it. The characters in Les Mis don’t.